11/14/13: Trouble with the Curve is a bad movie made by talented people. The drama is less predictable than it is routine, though both adjectives will suffice; its characters aren't exactly one-dimensional, but they certainly lack the necessary depth to make them, or the story around them, truly interesting; and far too many scenes feel as though they were crafted to put the characters in situations that set up a transparent metaphor which accentuates their emotional states, which would be fine if the characters didn't then vocalize the metaphor itself:
-"Come closer."
-"I'm keeping my distance."
-"You do that a lot."
Get it? Interactions like this permeate the film, over-clarifying what little complexity or cleverness there might have been. And still its cast is able to pull off much of this with enough conviction to make it watchable, even when the script has them using baseball terminology in dramatic context. So how did such a lousy script attract such a good group of actors? Clint Eastwood did it as a favor to director Robert Lorenz, his former assistant director, and then... Well, would you pass up a chance to act alongside Clint Eastwood? Yeah, me either. **
Tuesday, November 19, 2013
Quick Thoughts - Trouble with the Curve (2012)
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